"You're not all right—you're all wrong!" Fleda cried in despair. "You mustn't stay here, you mustn't!" she repeated with clear decision. "You make me say dreadful things, and I feel as if I made you say them." But before he could reply she took it up in another tone. "Why in the world, if everything had changed, didn't you break off?" Fleda, after an instant, encouraged him again. "To say to you?"!

She had perceived that he wouldn't speak of Mona without her beginning. After waiting fruitlessly now for him to say more, she continued: "She has been there again? She has seen the state of the house?" "It's the sharpest thing I ever saw in my life!" They looked at each other with intelligence, in appreciation of the sharpness, and Owen quickly broke into a loud laugh. The laugh was in itself natural, but the occasion of it strange; and stranger still, to Fleda, so that she too almost laughed, the inconsequent charity with which he added: "Poor dear old Mummy! That's one of the reasons I asked for you," he went on—"to see if you'd back her up."

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Yes, I didn't quite understand—but I think I understand now. The case is simple and logical enough. She's a person who's upset by failure and who blooms and expands with success. There was something she had set her heart upon, set her teeth about—the house exactly as she had seen it." "You'll tell her what you think she ought to do?" he asked with some eagerness.